Unlike photographers of the late eighteen hundreds, todays photographer has unlimited possibilities for a truly nice snap shot. To attain this level, you must develop the awareness of an observer. The rule of thumb that I follow when snapping, "more is better", you might never snap too many pics. Out of a hundred snaps, I can usually find two or three that generate the grade for a sizeably good snap shot.

Subject

When shutter bugging be cognizant of smaller sections contained within the whole scene, a smaller section when cropped from the whole might sometimes make a superb photo. On identifying such a section, zoom in and snap away. If your digital camera is not equipped with a zoom, not to worry, the normal size pic can be cropped and enlarged with a paint code on your PC. For the best results set the camera to shoot super high quality JPG photos; on this setting the digital photo will not pixalize (degrade) as rapidly when enlarged.

People pics might be obtained in various ways, the standard posed portrait, candid photo and what I call realized or frozen moment snap. A realized snap is that measure , exceedingly brief measure , when the subject realizes she, he or it, is being photographed. The resulting photo, shot from the hip fashion without thinking on your part just reacting to the impromptu composition presented, is one of those rare instantaneous moments that might be frozen for posterity. I would say, always being prepared is your watch word, as you will most certainly not have this particular opportunity again.

Composition

Motion imparts the additional dimension of movement through time in the composition of a still snap shot. The quality of motion is therefore the most elusive element of a still and thus the by product of a large number of snaps, coupled with the luck of the Irish. To capture motion, click while trying different angles; a pro will run off hundreds of snaps with photographer and model in constant motion. I might not emphasize this enough, dont just stand there and shoot from eye level, ("very boring"). Get down on your knees, stand on something, snap both landscape and portrait pics of your subject. The reason being, a landscape format will give a different compositional look than a portrait.

Numerous Renaissance painters arranged elements in their paintings to create a compositional pyramid, resulting in a stable composition. Modern painters like Jackson Pollock, relied on the overall pictorial pattern, evenly loading the painted surface to anchor the paintings composition to the foreground. I would humbly suggest trying both forms of composition. Keep in mind, that with a paint script clone tool, you might remove any unwanted elements in the composition.

Color

Color is a very subjective component of a snap shot; strive to become a colorist of sorts and you photographic skills will be elevated. You say how can I accomplish this? My suggestion would be to look to the world of painters; this does not mean house painters.

To affect outdoor colors, I use a polarizing filter to deepen sky blues and significantly reduce bothersome reflections emanating from natural surfaces. When snapping shots in the desert, this type of filter is a must for me. Remember, you can always remove a filter to obtain unfiltered results; for the want of a filter a successful snap could be mucked up.

On my very first photo trip to the desert, I was woefully unprepared for the lights intensity and forced to improvise, generating due with my polarized sun glasses for a filter; this improvisation worked, just barely.

Conclusion

I constantly make use of my cameras auto setting, which leaves me costless to concentrate on SCC. This strategy has been very productive in my search for the rare successful Snap Shot. Good luck in your search and remember the Shutter Bug Motto," CLICK CLICK".

Do hope you enjoyed reading my ramblings. Nick Peters,

SNAP Shot ,SNAP Art Gallery, AquascapeArt.com

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